Dragonsdawn by Anne McCaffrey

This marks the beginning my first full reread of the Pern series. This time, I'm reading in the chronological order recommended by the Pern Fandom Wiki. So far, this reread has been interesting. I think I was more fully invested this time, than my last time reading. Sallah, Sean, and Sorka, being the main touchstones. Sean and Sorka, in my honest opinion, just fell into that category of "you know we're going to grow up together and end up married just because" thing... which is fine. I didn't really need this to be a sweeping romance.

Dragonsdawn did exactly what it needed to do, in terms of telling the story of how Pern was first settled. It didn't feel like a check-list, either, which tends to happen with some prequels. Having read it, and a good chunk of the Pern series before, I really feel like this did a good job. Dragonsdawn is also told in such a way that is can definitely serve as the first book of the series proper, as well. There are definitely bits that are kind of Easter Eggs for those reading the series in publication order (or however you're reading it where this isn't the first book), but it's not overburdened by them.

I found the Avril Bitra storyline rather "meh." Her plan just seemed really silly to me. Doable, apparently, according to the story, but very silly. Add Nabol, a name that tends to produce antagonistic characters in the Pern series, and I was just checked out of the whole thing. Greedy humans will greedy human their way to death and that's fine. Honestly, it's interesting that the names Bitra and Nabol long outlasted their namesakes, especially as Bitra, at least, didn't have any descendants.

I found myself incredibly enraged at Ted Tubberman as he stubbornly lobbied for calling for help. He reminded me a lot of certain Right Wing people who just refuse to listen to reason... or even the majority. I vaguely remember some mention of felines being hunted on the Southern Continent later in the series, but I don't know that I was interested enough to really care about where they came from. Good to know, I guess.

I love the dragons. I had honestly been expecting Sean and Sorka to Impress first, so it was surprising when they didn't. I really enjoyed the Dragonriders figuring out how the Dragons worked, mostly on their own. That part of the book kind of flew by in a 1980's-style montage, even if it was satisfying. The ending, despite knowing full well the Dragons would be fully functional, made me cry.

So yeah, Dragonsdawn is a very good prequel and a very good beginning. I've been looking forward to this reread and continue to do so.

Theory by Sienna Tristen

I am honestly at a loss as to how to review this. Normally, there’s something for me to talk about — and I probably could, if I were discussing The Heretic's Guide to Homecoming, Book One: Theory with someone else — but as I’m doing a review, that is daunting. Theory is very good, first and foremost. It’s philosophical and a way I’m certain I haven’t really encountered up to this point in my life of reading. I also felt very seen at some points. Ronoah reminds me of myself.

Reilin/Özrek gives me Doctor (from Doctor Who) vibes. He’s definitely not human. Turns out, also isn’t shalledra and probably not a god. Just god-like, at times. He’s… hard to describe, really. But really gave me Doctor vibes.

I also quite enjoyed the world-building. Both the wider stuff and the smaller things. The discussions of how different races and sections of humanity worked were fun. The tales interspersed throughout were an interesting addition and not something I’ve seen utilized the way they were here.

But yeah, not really sure what else to say. I highly recommend giving Theory a read.

Favorite Lines

“Truth is picky about her friends,” the man continued, with a smile like he and Truth had discussed this over tea a couple years back. “She does not yield herself so easily. Can’t have everyone knowing how the whole of everything works, can you, that’s asking for trouble and it takes away the fun besides—so she sets up stumbling blocks, dresses up decoys, fashions false dichotomies galore, and even then, does she wait patient at the end of her obstacle course?” He swept the air clean with a dismissive flick of the hand. “Of course not. If you want to truly know anything, you are obliged to run the gauntlet and you must be prepared to come out the other end only to discover that Truth is not sitting pretty at the finish line as you presumed, she’s up and moved again, and there’s a whole new cast of challenges lined up as punishment for your slowness or perhaps, if you’re unlucky, for your cleverness, your overconfidence.” - Reilin/Özrek

“It is the unexpected things that impact us the most.” - Reilin/Özrek

"Change is reciprocal. Change is symbiotic. And change is work." - Reilin/Özrek

"Know this: the most interesting people are interested people. The ones who sink their teeth into everything. The ones who ask what no one else is mad enough to ask. The ones who know you need to drown in something before you can understand it." - Reilin/Özrek

"We are all bigger than ourselves. We all contain multitudes." - Reilin/Özrek

 

“When two great shards of the planet scrape up against each other in a collision so forceful it squeezes the molten blood out of the earth, it behooves one to take notice.” - Reilin/Özrek

 

"It’s a delightful paradox, that the more stable a kingdom is forced to be, the more likely it is to fall apart—if you’re aiming for longevity, you need to give the thing a little space to breathe." - Reilin/Özrek

In Other News

The Heretic's Guide to Homecoming, Book One: Theory marks my 110th book this year, meaning I have smashed my reading goal for this year again. My new goal is 116, which is how many books I read last year. Here's hoping I get my GoodReads confetti for it next time.

Poison Tree by Amelia Atwater-Rhodes

Honestly, I'm not entirely sure how I feel about Poison Tree. I read it once before but have zero memory of doing so. I mean, I remembered some after I started reading, but otherwise... much meh. I think it's the amount of characters all set up enough to be interesting, but none really given time to really develop that's my issue.

The pace is quite quick and the story ultimately enjoyable. It also fleshes out some of the issues at play at SingleEarth, especially when they don't dig into the past of their employees as well as they should.

I really, really would have liked a more insular story around Sarik, since that's essentially where the main conflict ends up. But again, she's fleshed out enough to be interesting, but not enough for me to really connect with her on the level I think would have made her shine.

All Just Glass by Amelia Atwater-Rhodes - Reread

This is a short, mostly spoiler-free reread review. You can, and honestly probably should, read my last reread review of All Just Glass as it will inform on this one. You can find that HERE.

This time around, I really don't feel as annoyed at the sudden influx of characters. There are still a lot of them in play at any one moment, but it doesn't feel as overwhelming. I also feel like I paid more attention this time, despite reading it in about 24 hrs. Dominique's past was a bit more fleshed out than I thought originally, but it's still only completely revealed in the Epilogue, so it does feel somewhat tacked on.

I liked the whole bit where Nikolas took Sarah hunting for the first time. It was really well done and well explained. Other than this, I feel like Sarah's part of the story took more of a backseat to her "siblings," which I think annoyed me on the last reads. After all, Shattered Mirror was so focused on Sarah. It felt like All Just Glass should have, as well, but I see how that would have not worked as well.

I actually like Zachary a bit more, this time. His motivations make more sense to me, though they really do hammer home how much therapy these Hunters need. Zachary's story was another big nail in the coffin of the "Vida Perfection" thing all the Vidas cling to and ultimately don't hold to.

Favorite Lines

"And you've never said anything in a moment of anger that you couldn't follow through with?" - Kristopher Ravena

"The one thing I know for certain is that after you are gone, you lost any power to decide what other people do. Will they kill for you? Will they die for you? Will they fight to avenge you? That is never your choice." - Nikolas Ravena

Shattered Mirror by Amelia Atwater-Rhodes

The first thing I wrote in my notes regarding Shattered Mirror was "My Twilight before Twilight." Completing my reread, I can't really say I'm wrong. The story beats are similar: girl meets vampire, they fall for each other, it's essentially doomed... but really, the similarities end there. Sarah and Christopher are both more fleshed out than Bella and Edward and the world around them is more complicated. I will also point out that Shattered Mirror was published 4 years before Twilight.

Sarah is a vampire hunter and a witch on top of that. Her family is dysfunctional as a family... Dominique is downright abusive in her quest to turn her daughters into perfect vampire hunting machines... though this is never actually "shown" "on screen." Just the story of what happened after Sarah found her father's body proves that. Sarah herself discovers that the world isn't as black and white as she thought it was.

I would explain more about Christopher's "fleshing out" but most of that would be a big spoiler, so, really best avoided in this review. He does spend most of the book leaving cringy poems for Sarah in her locker, though.

I honestly feel like Shattered Mirror moves a little too quickly. There isn't really any room to breathe. Sarah isn't really given time to sit with her changing feelings toward vampires... or at least toward Nissa and Christopher. Most of the relevant plot-info is info-dumped by the main vampires toward the end. Otherwise, it's just Sarah trying to navigate high school while not becoming too close (and failing) to Nissa and Christopher.

I think I appreciated the melodrama a lot more when I was a teenager. At my current 35-years, it's an engaging enough story with some rather terrifying implications hiding behind that YA label. 

Other Random Notes

• I was amused by the Volvo mention almost right after I noted the Twilight thing.
• I find it interesting that Sarah asserts she's know Nikolas on sight and yet runs into his twin and has nary a twinge... telling me there was a rewrite somewhere or Sarah was straight-up lying to herself.
• Another set of Southern Vampires. I highly recommend Princess Weekes' video on Confederate Vampires for understanding why I feel it needed to be noted.

Midnight Predator by Amelia Atwater-Rhodes

I am fairly certain Midnight Predator was the first of Amelia Atwater-Rhodes' books I ever read. If not, it's definitely the one that pulled me hook, line, and sinker into Atwater-Rhodes' Nyeusigrube universe. However, rereading it now... all the cringe.

So first, the slavery aspect. I know for a fact that I originally read this as more BDSM-coded than not. I think it is BDSM-coded, but it is definitely more than that. Make no mistake, humans are being bought and sold by vampires in this world. I'm not sure if, timeline-wise, it's gone back to a chattel-style thing, but Jaguar confirms it used to be that way. And the BDSM-coding? It's definitely a twisted version of what BDSM actually is. I think the last time I read a character using BDSM to twist his victims like Jaguar admits to doing in the past (and Jeshikah straight-up threatens to do to Turquoise), the character was a villain. That Jaguar ends up being something of a love-interest... cringe. Definite cringe.

I'm pretty sure Midnight Predator was where I fell in love with the idea of vampire hunters with organizations behind them. This doesn't exactly glamorize the idea, but it definitely planted it in my teenage head.

Turquoise definitely isn't the best representation of healthy coping. It makes sense, in this world, that the trauma she endured and escaped from would result in her chosen profession. But man, girl needs some therapy. She's not the deepest of main characters, either. Went from apparently perfect, upper-middle-class? life to slave to vampire hunter... but she has yet to have any motivations other than that. Even by the end.

So, yeah... Midnight Predator... so far in my Nyeusigrube reread, the cringey-est reread. 

Favorite Line

"A feeding vampire is as natural and simple as a wolf or lion. It's only when the human mind is in control that any creature has the desire to give pain." - Jaguar

Cainsville Overview

Cainsville by Kelley Armstrong

 

This post will contain spoilers for the entire Cainsville series, including all but one short-story and the novellas. You have been warned.

Cainsville was one of the few series in my life I managed to pick up as it was initially coming out. I followed it, apparently, right up until the last book (Rituals). I'm not sure how I managed to miss it at the time, but I did. I am happy to say that I have now finished the entire series and am mostly satisfied with how it turned out.

I was initially drawn to Cainsville because I very much enjoyed Kelley Armstrong's Women of the Otherworld/Otherworld series and because the the Fae element. I haven't read many books or series with a strong Fae element thus far so I was excited to see where all this went. I was initially happy with the amount of Fae lore dropped in among the human mystery parts of the story, though that waned as the series went on. The Fae stuff was still there, it just wasn't as present or otherwise just disappointing. Honestly, the addition of the sluagh as the over-arching "Big Bad" of the series just tanked the ending for me. The sluagh turned out to be some connecting tissue that probably could have been more fleshed out, but just wasn't. While I was kind of wondering what exactly possessed Patrick to actually father Gabriel, I wasn't going to be fussed never finding out.

If you've read my reviews, you'll also know that I'm not a fan of the romance elements. Or rather, not a fan of the love triangle stuff. I liked Ricky and Olivia together, but I'm definitely not a fan of Gabriel and Olivia being end-game. I personally feel like a more polygamous bent to their relationship would have made more sense. That's not to say strong friendships shouldn't be valued or cultivated, as Olivia and Ricky's is, just that... I dunno, would have felt neater from a story perspective. Also, I really do feel like Gabriel feels more asexual than not. I'm an very aware that, like most things and especially sexuality, asexuality is a spectrum and Gabriel definitely fits with some of what I've experienced personally with my own asexuality... just... the way his relationship with Olivia progresses feels weird to me. I'm not sure exactly how to explain it, but it definitely feels like Gabriel should have been fine being the friend in this forced love-triangle thing. (I will talk more about that, I promise.) It didn't seem like he had any romantic feelings in Olivia's direction until the plot and the ghost of Gwynn demanded it. I'm just not a fan of how that all worked out.

So, speaking of Gwynn... I'm also not a fan of how this ridiculousness for coded into the Fae storyline. We've got the Tylwyth Teg vs the Cŵn Annwn. Gwynn vs Arawn over the affections of Matilda. That's the whole impetus for the entirety of Cainsville, ultimately. Welsh Fae nonsense, basically. (I say that affectionately, really.) So, basically, back in ye olden times, before humans were in any sort of power in Wales, this Fae Prince of the Tylwyth Teg (Gwynn) and the Lord of the Underworld, Leader of the Cŵn Annwn (Arawn) make a pact not to try and win the affections of their mutual friend who has blood from both their lineages (Matilda). Really, in the text, it's Arawn who decides this needs to be a pact and Gwynn just goes along with it for... reasons? They do not tell Matilda about this pact. Later on down the line, Matilda makes her affections for Gwynn clear to him and they plan to marry, but do not breathe a word of this to their "bestie" Arawn... for reasons? Arawn finds out at pretty much the last minute and confronts Gwynn about their "pact." Arawn decides to tell Gwynn that if Matilda comes to him on the night before their wedding, she's now Arawn's. A new "pact" is formed, apparently. They tell Matilda none of this. Gwynn does not try to stop her from going to Arawn. Weird magic happens and not only does Matilda lose Gwynn and the Tylwyth Teg, she dies. Neither man gets what he wanted... and they are now doomed to reincarnate over and over to replay this nonsense. Whoever the Matilda chooses, gets her magical power for that generation... or something. That part was a little unclear. Also unclear exactly why a two-way split couldn't just work, even though that's what ends up happening at the end of the series. What is very clear is that Arawn is an asshole.

So, Olivia is the Matilda, Ricky is the Arawn, and Gabriel is the Gwynn of this generation. Olivia is told by the Cainsville elders that she must choose which of these men she's going to be with because weird magic nonsense. This three-some is unhappy about this and basically end up dithering until a weird third-party magic "race" (the sluagh I mentioned earlier) enters the fray in Rituals. Oh, and neither the Tylwyth Teg nor the Cŵn Annwn want to give Olivia and information about themselves until she decides to let them start courting her. Again, this whole thing could have been solved by a "Persephone solution" as Olivia puts it... and is, at the very end.

But yeah, I'm not at all salty about any of this. And to be clear, none of this made me not enjoy the story. I did enjoy the ride... mostly. I think the whole situation is very silly and obviously spawned by an idiot teenager. This is in the text of the books, by the way, I'm not making that bit up. Arawn was an idiot teenager at the time the original "pacts" were made. It's just amazing they got turned into such a big thing, magically speaking.

Outside of the Welsh Fae stuff, there is a bit of outside Fae stuff. Greek Fae, to be precise. Lamiae and Dryads make an appearance. I very much liked the inclusion of something other than Welsh Fae. Wish there had been more. I'm pretty sure the Cainsville series wouldn't really have supported adding in more mythologies, given how insular Cainsville itself is, but... eh. That's me with my global mythology interest wanting what I can't have.

I liked the original spooky supernatural mystery vibe of Omens. That definitely drew me into the series. However, that vibe definitely decreased as the series went on. Olivia did very little omen-sensing after Omens. That ability was largely discarded in favor of visions, granted by some kind of generational Fae memory. The love-triangle thing took center stage, even with the "mystery of the book" happening outside of it.

I did this read-through chronologically, as I've been doing with series lately, and I feel like the short stories did add something to the overall series. However, the novellas were largely just a revisiting of the characters and their emotional states. With the short stories, we got looks at characters outside of the whole "Matilda" thing but still within the realm of the Fae/human interbreeding and what can happen with that. We got a glimpse of Patrick pre-Omens, Gabriel's childhood, and what TC was up to. I quite enjoyed these short stories. The novellas... I could honestly reread Cainsville quite happily leaving them out. As I've said before, they really just rehash Oliva and Gabriel's feelings on what they're going through and have been through. The last two, while slightly interesting in that they explore a bit of what happens after Rituals, don't really bring much to the table, in my opinion.

I realize a lot of what I've discussed here sounds quite negative. It probably is. However, Cainsville is quite well done overall and entertaining to boot. I really do enjoy it. I just have a heavy eye-rolling kind of feeling toward certain elements... obviously. I wouldn't have so much to say if Cainsville was boring, after all.

Very last note: The novellas include some art depicting certain scenes contained within them. They're... interesting. Mostly okay, but honestly, they make Olivia look a couple decades older than 24. I also don't think the illustrations really add anything to the stories.